When we think of African Prints, most of us reference the Ghanaian iconic colourful wax prints, forged from the transmigration of Indonesian culture to the Gold Coast (West Africa).  Now, Ghana is the main producer of these patterned textiles, which hold history and culture within each pattern made. They tell stories of legends of families and wars, sing of proverbs which hold today's generation accountable for their actions, and express emotions deep within the society's poetry. 
Wax print is a process that traditionally uses a manual wax resistant dyeing technique. First, wax is melted then applied to the material before being dipped in dye. The dyes will not imprint the areas where there is wax, leaving the original colour of the fabric to remain. On the parts of the fabric where there is no wax, this is where the the colours penetrate and make an impression onto the cloth. The fabrics are dyed several times, and are then hung to dry. Afterwards, it is rinsed in a solvent to remove the wax. And Voila!
These textiles signified wealth, family, status, relationships and political affiliations (amongst other things), and kept the Ghanaian export and local economy flourishing. However, Ghana's once booming textile industry is on the verge of a total collapse. Coming to forefront is the Africa-China trade relations and the need to regulate the scope of China's dumping strategy--i.e. shipping excess clothes, textiles and goods into emerging economies--which has had serious negative impacts on local businesses, and communities at large. Below, Abi Ishola reports on how the FOUR remaining manufacturers are facing unfair competition, due to cheap pirated fabric being smuggled into Ghana from China.